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Kamoras: A celebration of a generational talent

MY introduction to African basketball came much later than my introduction to the global game. Like many people discovering the sport, I knew the NBA, EuroLeague storylines and many of basketball’s biggest stars before I began reporting across the continent.

But once I immersed myself in African basketball, certain names kept appearing in every conversation. Ask almost anyone to explain the modern history of the game in Africa and, sooner or later, Carlos Morais’ name comes up.

Sometimes it was because of Angola’s dominance. Sometimes it was because of Petro de Luanda. Sometimes it was because of the Basketball Africa League. Whatever the conversation, it was impossible to separate Morais from the story of how African basketball had evolved.

I had only witnessed the latter stages of his career, but it wasn’t until Angola won the 2025 AfroBasket that those stories finally connected. As the final minutes ticked away, players from a new generation repeatedly ran towards Morais, sitting courtside, to exchange high-fives after big baskets.

After the final buzzer, Bruno Fernando handed him the championship shirt before draping himself in Morais’ national team jersey and leading him around the arena as supporters chanted “Kamoras.” For someone who hadn’t seen Morais at his peak, it explained everything. When Carlos Morais announced his retirement this week, African basketball lost more than one of its most decorated players.

It lost one of the few athletes whose career mirrors the transformation of basketball from a largely regional sport into one of Africa’s fastest-growing commercial properties.

Carlos Morais (Kamoras) 2027
Carlos Morais evolved when the game demanded it. Pictures: FIBA Africa

For more than two decades, Morais occupied a unique position in that evolution. He emerged while Angola was still the undisputed power of African basketball, built a career that stretched into Europe and brushed against the NBA, then became a central figure in the Basketball Africa League’s formative years as Africa’s premier club competition reshaped the continent’s basketball landscape. Few players have lived through each chapter. Even fewer helped define them.

Before there was the BAL

Long before the Basketball Africa League attracted global broadcasters, multinational sponsors and NBA investment, Angola represented African basketball’s benchmark.

The country’s basketball culture is unlike anything else on the continent. The expectation of winning, the passion surrounding Petro de Luanda and Primeiro de Agosto, and the reverence afforded to the national team created an environment where basketball became woven into the country’s identity.

It is no coincidence that Angola built one of African sport’s great dynasties. Morais emerged from that system and became one of its defining figures. Representing Angola at AfroBasket, the Olympic Games and multiple FIBA World Cups, he also carved out professional opportunities in Portugal and Italy before earning a preseason opportunity with NBA franchise the Toronto Raptors in 2013.

At a time when relatively few African players outside established NBA stars found international opportunities, Morais helped demonstrate that elite basketball talent could emerge from Angola’s domestic system. His career quietly expanded perceptions of what was possible.

Carlos Morais (Kamoras) 2026
Carlos Morais was a defining figure in Angola’s dominance of African basketball.

Reinventing success

Perhaps the most impressive aspect of Morais’ career was not its longevity but his willingness to evolve. When I spoke to him before the 2024 Basketball Africa League Finals in Kigali, he was no longer discussing scoring averages or individual accolades. Instead, he spoke about leadership.

“I can only control what I can control,” he told me. “I’m not playing much… but I can always lead from the bench. I can always give my teammates the right energy. I’m the oldest player on the team, the veteran. So this is part of my job.”

Elite athletes are rarely celebrated for accepting smaller roles, yet that transition may have become Morais’ greatest strength. As the BAL matured and younger stars emerged, he shifted from franchise player to culture carrier, someone whose influence increasingly came through mentorship, professionalism and experience rather than statistics.

Two days after our conversation, Petro de Luanda defeated Al Ahly Libya to win its first Basketball Africa League championship. For Morais, the victory represented the culmination of four years of trying to lift the continent’s biggest club prize. His reaction afterwards revealed just as much about his character as his basketball.

“I wasn’t luck,” he told me. “It was all work.” He described the title as the product of sacrifice rather than destiny. “It wasn’t easy. We had to work a lot. We had to sacrifice a lot to get to this point.”

That evolution reflected African basketball itself. The continent no longer depended solely on individual stars. It was building sustainable clubs, deeper rosters and professional environments where leadership extended well beyond the box scores. That is mirrored in his time spent moving into coaching with opportunities in the NBA 2K Summer League, first with the New York Knicks last year and most recently with the Detroit Pistons.

Building More Than A Legacy

The true measure of Carlos Morais’ influence cannot be found solely in championships or medals. It can be found in the generation that followed him. A year after Petro lifted the BAL trophy, Angola celebrated another continental triumph with a new generation of national team stars, many of whom had grown up watching Morais and several who had played alongside him.

Watching those celebrations from courtside, something about the legend made sense. What I had been told about Morais over the last two years wasn’t nostalgia. It was continuity; the players celebrating the title were also celebrating one of the people who had helped build the programme they now represented.

As Angola closed in on victory, players repeatedly ran to Morais to exchange high fives with the veteran who had inspired them. After the final buzzer, Bruno Fernando handed Morais the championship shirt before draping himself in Morais’ national team jersey and leading him around the arena.

Pointing towards Morais, Fernando gestured that he would not be where he was without him. Soon, the arena echoed with chants of “Kamoras” as teammates and supporters honoured the player who had inspired so many of them. Morais, rarely emotional in public, was brought to tears.

It was not simply a celebration of one career. It was a visible passing of the torch.

Carlos Morais (Kamoras)
Carlos Morais added to the BAL’s star power.

The Value Of A Bridge

African basketball’s current momentum owes much to structural investments such as the Basketball Africa League, NBA Africa and growing corporate interest across the continent. However, infrastructure alone does not build a sport. Every emerging league needs players whose careers create continuity between generations, and Carlos Morais became one of those figures.

Watching ESPN’s Origins, which chronicled the BAL’s first season, shed light on both his journey and Angola’s basketball culture, reinforced something I had gradually come to understand through reporting across the continent. Morais’ influence was never confined to points, championships or longevity. His stature in Angola reflects basketball’s own evolution on the continent.

In many ways, his commercial and cultural value mirrored African basketball’s growth, from a sport followed passionately within its traditional strongholds to one that attracts global investment, international broadcasters and worldwide audiences.

He represented Angola’s era of continental dominance, and proved Angolan talent belonged on international stages. He embraced the BAL when it arrived rather than resisting change, demonstrating his evolution in leadership.

As African basketball enters perhaps its most commercially signifi

cant period yet, Morais’ greatest contribution may not be the championships he won. It may be that he became the bridge between African basketball’s past and its future, ensuring that as the game grew into a global business, it never lost sight of the culture, people and generations that built it in the first place.

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Sekka set the bar high in African hoops

NOT many athletes’ careers span two decades or even close in on a third (decade), and fewer are laden with success during that time. So when the name Radhouane Slimane or Sekka is mentioned in conversations by African basketball aficionados, you have to take notice, as it’s a name that illuminates success.

When Sekka recently sounded the buzzer on his career, it was the ending of a storied playing career of an African legend, whose career is worthy of possibly being inducted into the FIBA Basketball Hall of Fame.

It was also a realisation. A golden age in African basketball had come to an end, and Slimane was one of that era’s representatives. He was the consummate stretch four, always steady, making the simple plays look flashy and an exceptional leader.

In his performances in the opening season (2021) of the BAL in the colours of US Monastir, already 40, Slimane put up an impressive 10.3 points and 2.3 rebounds. And in that first season in a group game against Madagascar’s GNBC in a fast-break move, he showed he could still get up and throw down.

Radhouane Slimane
Radhouane Slimane won three AfroBasket titles with Tunisia. Pictures: FIBA Africa

Until the age of 45, when most of his age mates had long called it a day, the smooth-moving Slimane kept going, blocking out the noise when asked how long he sees himself running up the hardwood.

In an interview with The Big Tip Off, he told this journalist that “love for the game” kept him wanting to sweat it out on the court.

“It’s for the love of the game, a love of the game. I am healthy and enjoying the game. I have sacrificed for this game and if I have more years to give, then I will give them,” he said ahead of Season 5 of the BAL.

He’s set foot on some of the greatest basketball stages, including the FIBA World Cup and the AfroBasket, which brought Tunisia titles, with Slimane and his generation leading the North African nation to its entire continental trophy haul.

Before the 2021 title victory, Sekka, then 41, wanted to go out with a bang as he sensed, and before the tournament, spoke with clarity in an interview with FIBA Africa that the end was near for him and some of his teammates.

“This year must be the last chance for my generation to win one more African championship. Players like myself, Salah (Mejri), (Mohamed) Hadidane, (Omar) Mouhli might retire from the national team after Kigali,” said Slimane.

Radhouane Slimane or Sekka 2026 US Monastir
Radhouane Slimane has had a trophy-laden career with US Monastir, including winning the BAL title in 2022.

Having built a career resume of success with the national team, with US Monastir on the continent and in the Tunisian and Iraqi domestic scenes, Slimane should be satisfied with his career, but as he told Al Jazeera before the 2021 FIBA Intercontinental Cup, he wondered how far he could have gone had his talent got proper exposure.

“A lot of agents and a lot of coaches told me I would easily play in the NBA, but the media (coverage) here in Tunisia (is close to) zero,” said Slimane at the time.

Yes, a player, despite enjoying many successes, can always ask themselves what if about their careers. But as fans of the African game, it’s safe to say we appreciate his greatness and his role in setting a high bar in African basketball.

The legend has bowed out, but the memories he’s left us with are eternal.

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Investing in youth yields tangible benefits for African nations

ANGOLAN stars Bruno Fernando and 2025 AfroBasket MVP Childe Dundao. Malian standouts Sika Kone and Sira Thienou. Apart from making their names in basketball, the quartet have one thing in common. They all play for the national teams of their respective countries. As you unfurl the thread, a little bit is revealed about their journeys in the setups of their countries’ various national teams.

As Fernando, Dundao, Kone, and Thienou rise — or enter — the peak of their careers, it’s worth remembering that they first made their mark with their countries’ youth national teams.

Real Madrid forward Bruno Fernando, who also spent time in the NBA, and Petro de Luanda floor general Childe Dundao were both part of Angola’s U18 AfroBasket championship team. Since that 2016 triumph, the duo has climbed the ladder to senior stardom, helping Angola capture a record 12th AfroBasket crown this past August.

Sira Thienou youth
Sira Thienou has represented Mali from the U16 level. Pictures: FIBA

They aren’t alone. Teammates Silvio Sousa, Selton Miguel, and veteran Gerson Goncalves also once wore Angola’s colours at the youth level before becoming African champions alongside Fernando and Dundao. Angola’s commitment to grassroots development continues to pay dividends.

Yet, when it comes to leading the way in youth development, Mali stands out as a model for the continent.

In 2025, both Mali’s men’s and women’s national teams reached their AfroBasket finals — a remarkable achievement. What stood out most was the number of players who had come through the youth pipeline.

 

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The men’s team, which fell to Angola in the final, featured eight players developed in the youth system. Among them were Oumar Ballo, Siriman Kanoute, and twins Hassan and Fousseyni Drame, all of whom were part of Mali’s U19 squad that made history by reaching the FIBA U19 World Cup final in 2019 – the first African team ever to do so.

“We’ve been doing really well with the youth, and lately, it’s been the men’s team’s turn,” Ballo told FIBA Africa during the 2025 AfroBasket. “The federation does a good job of following up with young players once they turn pro. That ensures consistency and guarantees they’ll come back to the national team.”

On the women’s side, Mali finished as runners-up to Nigeria in July’s AfroBasket final with a squad that included 11 players developed through the country’s youth program. In women’s basketball, Mali’s system has delivered 17 continental titles (nine at U18 and eight at U16), and Kone and Thienou have contributed to those successes.

The secret to their success? A clear, intentional approach.

“This is due to the policy of the mini basketball development program and the establishment of training centres,” explained Malian youth coach Moussa Sidibe in an interview with FIBA Africa. Building on Sidibe’s statement, I must say that having travelled to countries like Angola and Madagascar to cover international competitions at senior and youth levels, one thing that stands out is the culture of basketball. And also at every turn, you will see a basketball court, which stimulates interest in the game.

Recently, in Angola, before the start of the AfroBasket, I attended an annual community tournament that included a youth category and was sponsored by a private telecoms company. Earlier on the same day, there was a Jr NBA competition. That the telecoms company and the NBA were willing to attach their names to events in Angola speaks volumes about the commitment of people to growing the game.

 

Oumar Ballo AfroBasket 2025 Youth
Oumar Ballo was part of the Malian team that made the 2019 U19 World Cup final.

Other nations are now following the route of development. Cameroon, for instance, has recently made strides in creating opportunities for you players and the results have been amazing. Their U18 team reached the AfroBasket final last year – remarkably, in their first-ever appearance at the tournament – earning a spot at the U19 World Cup. This year, Cameroon’s U16 boys also made the final in Rwanda, another debut run that secured qualification for the 2026 FIBA U17 World Cup in Turkey.

“For the longest time, Cameroon had no junior U18 teams,” said senior national team coach Alfred Aboya in an interview with The Big Tip Off. “We had athletes leaving the country to build careers overseas. But youth development is important because kids grow friendships early. When they reach the senior team, they already know each other – it helps with cohesion.

“It’s fantastic. The federation is doing a great job by sending youth to these competitions.”

Aboya is spot on. Exposure to opportunity is important for young players, as it has the power to change their lives. More important still is building development platforms that serve as pathways for discovering talent.

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